Thursday, December 30, 2010

Reading Liberally

Earlier this year I founded a local chapter of Reading Liberally, a national "book club" that is part of a larger organization called Living Liberally. (We have a social chapter in our area, too: Drinking Liberally.) The book club meets once a month (in a bar, just to make it even more fun) to discuss books of interest to liberals--not just books we agree with, but books that will help us understand important issues.

For January we're reading Founding Faith by Steven Waldman, co-founder of Beliefnet, about the real faith of our founding fathers and the real meaning of the separation of church and state. The basic premise--I'm not very far into it yet--seems to be that the Left and Right both misrepresent the religion of the founders and as a result don't fully understand what the wall of separation is all about. I think we'll have an excellent discussion. (January 27 at 6:30 pm at Irish Alley on Johnson Street in Staunton, VA.)

Over the year we've read a number of other books that brought us fine discussions: Agenda for a New Economy (David Korten), In Defense of Food (Michael Pollan), Half the Sky (Nicholas Kristoff and Sheryl WuDunn), Color Blind (Tim Wise), Mountains Beyond Mountains (Tracy Kidder), The Conscience of a Liberal (Paul Krugman), and Beyond Fundamentalism (Reza Aslan). It's been a great year in reading.

If you're interested in joining us, visit our Facebook Page or our website to sign up for notices.

Happy New Year from Prime Number Magazine!

Prime Decimals 3.7--the final update for Issue 3--is now live! Check out work by Darrin Doyle, Tim Raymond, Ray Scanlon, Joanna Robinson, Mike Berger, Jason Teeple, and William Kelley Woolfitt. Happy Reading and Happy New Year!

Also, we're reading now for Issue 7, scheduled to appear in April, so please submit your work!

Andrew's Book Club

Andrew's Book Club is back. I don't know that I'll have time to read any books that I wasn't going to read anyway, but it will be interesting to see what Andrew picks. Check back on January 1.

Wednesday, December 29, 2010

Vote for the 2010 New Yorker Story of the Year

Polls will close at midnight Friday, so be sure to vote for the 2010 New Yorker Story of the year--the ballot is over in the right sidebar of the blog.

For links to a discussion of each finalist and in many cases to the story itself, go here.

Monday, December 27, 2010

Literary Happenings 2011

2011 is sneaking up on us. It'll be here in just a few days, and I'm not sure I'm ready. For one thing, I seem to have agreed to participate in some literary events in the first half of the year, which means . . . soon.

First, there's the AWP Conference in DC. Can you believe that's just five weeks away (February 2-5)? Makes me tired (and cold) just thinking about it. I'm on two panels plus I'll be there at the Press 53 table promoting my lit journal, Prime Number Magazine and also my book, In an Uncharted Country.

Then there's the Virginia Festival of the Book, which is March 16-20 in Charlottesville. I may or may not be involved with a program, but I'll still be attending as much of the festival as I can.

And then there's the Queens University MFA Alumni Conference, May 19-22, which is, in part, a celebration of the 10th Anniversary of the program. I'll be there!

Register Now to Beat Price Increase: Writers.com

Prices go up on January 1, so register NOW to lock in the current prices for my classes at Writers.com.

I'm teaching a class that begins on January 10 -- Writing the Short Story: Make Your Story Great! After that I'm also offering a fiction workshop AND a very practical course in getting your short fiction published.

Sign up now!

Saturday, December 25, 2010

6 Days Left to Vote for the New Yorker Story of the Year!

Here's a reminder. If you haven't already voted in our "New Yorker 2010 Story of the Year" poll, please do so. Choose one story from among the ten finalists, and you can find links to a discussion of all of the stories (plus links back to the stories themselves in many cases), right here.

The stories are by Joyce Carol Oates, Joshua Ferris, Wells Tower, Tea Obreht, Claire Keegan, Kevin Barry, Jim Gavin, Alice Munro, Jim Shepard, and Samantha Hunt.

Vote!

The New Yorker: "Escape from Spiderhead" by George Saunders

Most of this story will appeal to Saunders fans, I guess. It’s definitely got moments. The story is about Jeff, told in his point of view. Jeff is a willing participant in facility that does drug testing because, we eventually learn, it beats being the prison where he’s doing time for killing someone in a rage. We learn that some of the other participants in the trials have done even worse things than Jeff, but not before we already have a certain amount of sympathy for them. The guinea pigs here have attached to them devices (Mobipaks) that allow the testersAbnesti and Verlainto remotely adjust the drugs they’re being given from their command center, the Spiderhead. Saunders has come up with tradenames for these drugs: Verbaluce, which induces lucidity; Vivistif, which seems to have a Viagra effect; and Darkenfloxx, which sends the subject down a deep, dark hole from which he or she may or may not return.

On the day in question they’re testing chemically controlled feelings of love, and Jeff first loves Heather and then loves Rachel then loves neither, but in the meantime he’s had sex with each of them three times, and they’ve each had sex with two OTHER men also. But when—and this seems to be the crux of the test—Jeff has to choose whether Heather or Rachel will get the Darkenfloxx, he can’t do it. He is equally indifferent to both of them. Eventually, though, he is forced to watch what happens, unless he can “Escape from Spiderhead.”

Take a look at “This Week in Fiction” for a hint from Saunders about what he was after here. It seems to me that the choice that Jeff must make is crucial and that the artificiality of everything today makes real feelings suspect.

Didn’t love the ending, but otherwise it was entertaining.

December 20 & 27, 2010: “Escape from Spiderhead” by George Saunders

Thursday, December 23, 2010

Take a Short Story Writing class in 2011!

I've got a great idea for a Christmas present/New Year's Resolution for aspiring fiction writers: reserve a spot in my short story class that begins January 10 at Writers on the Net..

"Writing the Short Story: Make Your Story Great!" is a 10-week class that combines lecture (an in depth look at story fundamentals as well as study of some classic stories, along with writing exercises) and workshop (each participant will receive detailed comments on one story and one revision from me and all other participants) in a constructive environment for which you never have to leave the house (or get dressed).

Past students have had some nice things to say about the course.

Enrollment is limited, so get your spot now!

Or you might want to take the traditional workshop (no lectures) that begins in March, and you might also be interested in my course on publishing that will kick off later in the spring.

VCCA/The Real World


If you've ever had the pleasure of being in residence at VCCA, you'll recognize this photo--it's the last thing you see as you leave the grounds. It's a warning, but it's also an invitation to carry your creative energy back with you to whatever your "real" life is like. So I'm home now after a productive two weeks in Studio W2, and hope I can do exactly that.

Tuesday, December 21, 2010

Vote for The New Yorker Story of the Year 2010!

It's time to vote for The New Yorker story of the year. Most people I've talked to think that New Yorker fiction has not been especially good this year, and there was little consensus on the stories that should be included in the final 10 stories for voting purposes, but--for better or worse--here's my list of favorites, in chronological order. A poll will appear in the sidebar to the right--you have until midnight on December 31 to vote and I'll announce the winner on New Year's Day. (Note: links are to the Perpetual Folly discussion of each story, where there may or may not be a link to the story itself, since The New Yorker is providing free access less frequently.)

Kevin Barry: Fjord of Killary (February 1)

Claire Keegan: Foster (February 15-22)

Joyce Carol Oates: I.D. (March 29)

Joshua Ferris: The Pilot (June 14-21)

Tea Obreht: The Blue Djinn (August 2)

Wells Tower: The Landlord (September 13)

Alice Munro: Corrie (October 11)

Jim Shepard: Boy's Town (November 8)

Samantha Hunt: The Yellow (November 29)

Jim Gavin: Costello  (December 6)

Please Vote!

Last Day at VCCA

Today is the last full day at VCCA and I think about half the remaining residents leave today. The rest of us are here all day and will be leaving tomorrow as the place shuts down for Christmas. (VCCA will reopen on 12/28 with the arrival of a boatload of artists who will have the pleasure of welcoming the New Year in this wonderful environment.)

Yesterday was a day of presentations. In the afternoon, several visual artists opened their studios to visitors, so I got to see what they've been working on here: Joanna Kao, Kim Manfredi, Yvonne Kunz. That was fun--I always love to see what the visual artists are up to.

In the evening, Gyun Hur showed some slides of her work, which is very much influenced by her Korean heritage. And writer Michele Surat read some poems that also in part reflected her cultural background, and so that made a nice match.

I tried to do a little work after that, but at 10pm there was a party in Sam Taylor's studio--W5 (the Crib)--and I wanted to stop by there before I called it night. The party was in celebration of the eclipse, the solstice, and the end of the residency. Fun, loud, but I couldn't stay up for the eclipse.

Now, instead of blogging, I really ought to get some work done.

Sunday, December 19, 2010

Sunday night at VCCA

It's very near the end of my residency (VCCA shuts down for Christmas on the 22nd) and it seems as though we've had a busy few days.

A few nights ago, Fern Seiden gave a presentation in the studio--a short film called "Air Intoxication" that she made for Swedish Television. The film was full of great images, some of which she got from the Swedish Television archives.

Last night we had a short reading by Janie Miller and Ruiyan Xu. Janie read some poems, including several that she's been working on here at VCCA, and Ruiyan read from her novel, The Lost and Forgotten Languages of Shanghai.

On Thursday night we heard two short essays read by Lori Horvitz--here's an example, although this isn't what she read: The Girls of Usually. And we also heard several poems from Rachel Hadas. That was especially fun because one of the poems she read is in the anthology I teach from and I plan to add it to my syllabus for next semester.

But now it is Sunday night and because we all leave on Wednesday we had a final reading tonight: Kristen-Paige Madonia read from her as-yet untitled novel, due out in 2012, and Natania Rosenfeld read several short poems and a short essay. Nice!

And now I'm back at work. I think that was the last reading--several of the visual artists are having open studios tomorrow afternoon . . .

Thursday, December 16, 2010

The New Yorker: "Young Thing" by Naruddin Farah

Farah has a new novel coming out in 2011 and it sounds like this “story” is an excerpt from that. See this description of Crossbones 

In any event, this piece is about a young Somali who gets involved with a militia and sets out to do their bidding. He’s a kid, though, and that makes it difficult—carrying the weapons, remembering the instructions, following orders. As a result of these problems there is a mixup, and YoungThing brings his leaders—BigBeard, TruthTeller, and FootSoldier—into the wrong house, which happens to be occupied by a renter who happens to be a Somali visiting from Virginia. It doesn’t turn out well, but that’s all I’ll say about the plot because anything else would spoil it.

This piece almost works as a story and the writing is vivid (Think Flannery O’Connor in Somalia . . .). The thoughts and speech of YoungThing seem right on and it’s a completely suspenseful, compelling read.

December 13, 2010: “YoungThing” by Naruddin Farah

Wednesday, December 15, 2010

Wednesday already?

Wednesday already? It seems like it’s been a busy few days here at VCCA. On Monday I had to dash back to the Valley to school to give an “exam” (not really an exam, but we are required to have a final class) and also to be examined (I’m taking French). I’d been worried about weather, but there was just some very light snow, although very high winds especially crossing Afton Mountain. Il y a du vent.

I got back shortly before dinner, and after dinner we had a presentation by poet John Wesley Horton and biographer Joshua Kendall (whose biography of Noah Webster is coming out in April). I was tired from the driving and examining so, although I went back out to my studio after the presentations I didn’t get much done.



I did get a fair amount done on Tuesday. At lunch, one of the visual artists, Scott Finch opened his studio and it was fun to take a look at his work (yo-yo's, hula hoops, death). (I forgot to mention earlier that last week Alexandra Rozenman had done the same. A group open-studio session is planned for next Monday.) Tuesday evening we had another reading. This time we heard from poet Laura Apol, who read a number of very moving poems about some work she’s been doing in Rwanda, and prose-writer Daniel Meltzer who read a couple of funny pieces.

A couple of people are leaving today, but a few more arrive . . . which is the nature of such colonies.

Sunday, December 12, 2010

Sunday at VCCA

I arrived at VCCA on Thursday, got settled into my room and studio, and began to work. I had some papers to grade, but got those out of the way fairly quickly, and then dived into my novel edits. I’m in Studio W2—the same studio I was in this time last year.

It seems as though there are more fellows in residence this time, and that might be the case—they’ve now opened both spaces in the remodeled cottage and there are 2 writers in there, so we’re at least 25 or so—a nice group. Quite a few familiar faces, too, from real life in Charlottesville and also from past residencies.
So, mostly, I’ve been working. But there was one presentation on my first night, by Serge Levy. He showed slides of his work, including a series of his “street photography” and also some images—self portraits—that he’s manipulated. Beautiful stuff.

And then last night we had a presentation by the only composer in residence, Michael Remson. Michael writes operas, songs, and choral work, and played a little of each for us. It’s pretty incredible stuff. I’m always blown away by the composers here because what they do seems so very foreign to me, like they’re speaking a different language. A beautiful language, but one that I don’t understand.

It’s raining today. I've been taking walks in the woods each afternoon, but not today. We’re all going over to Sweetbriar College for dinner this evening and tomorrow I have to head back to the Valley for finals at Blue Ridge Community College. But there’s snow in the forecast and I’m worried about that. Keeping an eye on the weather . . .

Thursday, December 09, 2010

VCCA-bound

Headed to VCCA today. That's about all I have to say about that. Sporadic blogging ahead.

Prime Number Magazine--update 3.5

It's a little earlier than planned, but I'm heading off to VCCA today, so thought I'd unleash the good words: Prime Decimals 3.5 is now live, including poetry by Dennis Mahagin, Timothy Black, and Frankie Drayus, plus flash fiction by Buzz Mauro and Terry DeHart. I think you'll enjoy!

And, in case you've missed it, be sure to check all the other fine work in Prime Number Magazine Issue 3!

Wednesday, December 08, 2010

The New Yorker--pay to play?

Reader Andy suggested I create a post where readers could give feedback on the new policy at The New Yorker to limit access to most fiction to paying subscribers. (Thanks for the idea, Andy.) For the past several years, almost all fiction was available for free online. Now, most stories are closed and only subscribers with access to the "digital edition" can read them. I'm a subscriber, so the only thing that annoys me is that the magazine has been coming irregularly lately.

What are your thoughts on this? Does it make you want to subscribe? Given that many seem to think that the quality of New Yorker fiction has deteriorated, I'm not sure that the policy will help subscriptions. But maybe I'm wrong.

Thoughts?

The New Yorker: "Costello" by Jim Gavin


This is late, again, because my copy of the magazine is late, again, and I kept putting off reading the online version because I don’t like to read long stories online, and this is a long one. (And by online I mean in the digital version of the magazine, since this story is not available online to non-subscribers.) (Although you can't read the story online if you're not a subscriber, you can read Deborah Treisman's interview with Gavin: This Week in Fiction: Jim Gavin.)

Too bad, because it’s very readable. In fact, it’s worthy of the Best of the Year list, which I’ll post in a week or so.

Costello—Marty—is a plumbing salesman in Anaheim. He’s got two daughters, one just out of college and the other in college. He lives in a nice ranch house next door to another plumber. He’s sixty, a veteran, and life hasn’t always been easy, especially given the ups and downs of the housing market in LA. But he’s good at what he does and right now he’s up for an award that will be given at a banquet that is really just a drunken mess. (Must have been fun to write the scenes with the drunk plumbers playing polo golf.)

Oh, yeah, and his wife is dead. Except we don’t know that right away. We find out fairly soon that she’s gone, but it takes a while to learn why. The neighbors invite him over for dinner, but he makes an excuse and stays in to watch the Dodgers on TV. (He doesn’t drink much, but he eats a lot of really bad food, and he does that while watching TV, too.) But finally it is revealed that his wife died of cancer and his daughters are trying to help pull him out of the shell that he’s been in since she died.

There are five other strands to the story that are quite interesting. First, Marty is interested in water, sailing ships, and the ocean. Was he in the Navy? He has a copy of Moby Dick and uses various sailing terms in his thoughts and speech. Second, Marty has a pool. Now, the pool obviously is related to his interest in the water, but it also is connected to his wife, who chose the tile and also insisted on an extra-deep deep end. The pool now is scummy and green because Marty hasn’t been taking care of it. Third, there’s a lizard at the bottom of the pool, which prompts a recurring discussion of lizards. Fourth, Marty’s dealing with some faulty plumbing products that have caused a problem in the business. And Fifth, there’s Francine, “the parish retard,” who keeps coming to the house even though Marty’s wife, whom she used to visit is gone.

Eventually it becomes clear that the reason Francine is coming by is to get the wife’s jewelry that she was promised. She takes it and leaves, and maybe Marty is now letting go a little. He agrees to go out to dinner with her daughters and he settles on a visit to Catalina Island for this event—a sailing voyage, of sorts, that also represents his coming out. He doesn’t win his award, apparently because of the defective plumbing, but he gets public praise and seems satisfied. And then, finally, there’s the pool, which he cleans up with chemicals and at long last removes the lizard—the wife’s cancer?—from the pool. (In the story he tosses the lizard over the neighbor’s fence and hears it land in his pool, and I didn’t like that ending. It’s as if he’s cursing his nice neighbors!)

Except for that last line, it’s a terrific story.

December 6, 2010: “Costello” by Jim Gavin

Sunday, December 05, 2010

Sunday night miscellany

I've been busy. The semester is winding down, which means my students are writing research papers and I'm preparing to grade them. I'm also making preparations to head to VCCA for a couple of weeks, although I'm really less prepared than I've ever been. I guess I'm going to get there and work as hard as I can trying to get my novel into shape to send to my agent after the first of the year. Maybe I don't need much planning for that.

I've also been trying to get caught up and ahead on my Prime Number Magazine work. I've taken care of much of the contracting for the fiction through the issue that will go up in January and have also done the layout for the update that will go live this week. And I'm caught up with reading submissions of fiction (so please send us more!).

The big project around the house, which I guess I won't finish before I leave, is reorganizing the bookshelves. Just fiction, for now, but that's a huge task. Because of space constraints, I had allowed two separate alphabetical collections to grow (the second starting when I got some new, free-standing shelves but didn't take the time to integrate the new books with the collection in the built-ins). On top of that there were piles in my office and the guest room. No more. Integrating, shifting, relocating. I'm feeling good about that.

Northwestern is in a bowl game for the third straight year. It's the TicketCity Bowl in Dallas on January 1. Not exactly the Rose Bowl, but it's still important for the program, and maybe we've got a chance to win it.

The Summer/Fall season at the American Shakespeare Center wrapped up last week. There were some great shows--the highlight being Henry IV Part 2. Now we've moved on to the holiday season, with three shows (usually they do just two) PLUS previews of the Touring Company's Spring Season. I may miss the previews, since I'll see those shows in the Spring, but I'd like to see the holiday shows. So Friday night I went to Ginna Hoben's The Twelve Dates of Christmas. Ginna wrote and stars in the one woman show--very funny and very well done. They're also doing A Christmas Carol (with John Harrell again as Scrooge) and Santaland Diaries (with Rick Blunt), but I'll have to catch those when I get back if I can. I definitely want to--Harrell is a terrific actor and Blunt is hilarious.

Wednesday, December 01, 2010

Books for Soldiers

Books for Soldiers

Here's the deal. Visit Press 53 and buy a book for yourself or for someone else by December 10. Press 53 will then send a book to a soldier in your name. Very simple. And a very good thing.

You could, for example, buy my book, In an Uncharted Country. You'll get a very nice book that has won some awards and good reviews, and so will a soldier. But Press 53 has lots of other books to choose from, and all that I've read so far have been terrific. You can't go wrong.